Begum Jaan opens on a strong note.  Shyam Benegal’s MANDI remains fresh in the minds of movie enthusiasts and aficionados to this date. Unlike the glamorous depiction of courtesans and prostitutes in several Hindi films then, Shyam Benegal — known for portraying realism in his movies — captured the ambience and lifestyle of sex workers most authentically.

Cyril Radcliffe is entrusted with the task of drawing the border that would split Punjab into two parts: a portion for India and the other for Pakistan. The politicians [Ashish Vidyarthi and Rajit Kapur], representing their respective governments, go about doing their job earnestly, but their work hits a roadblock as they discover that a brothel — run by the shrewd and sharp Begum Jaan [Vidya Balan] — is positioned right at the border.

Begum Jaan refuses to vacate the premises, despite being served an official notice. She’s defiant and rebels against the move to relocate elsewhere. My body, my house, my rules is her motto in life. Begum Jaan and the inhabitants clash with the officials amidst the changing political scenario during partition.

BEGUM JAAN has its share of shining moments. Sample these: The confrontation between Vidya and the two politicians [Vidyarthi and Kapur] is the hallmark of the film… Vidya’s interaction with Naseeruddin Shah and the latter’s iniquitous demand is another startling aspect… The conversation that transpires between Gauahar Khan and Pitobash shakes you up… Vivek Mushran’s volte face at a crucial juncture in the story is a shocker… These
are standout moments that either bring a lump in your throat or haunt you even after the screening has ended.

Notwithstanding the loose ends, BEGUM JAAN stands on its feet, courtesy the bravura performances from several actors of this ensemble cast. Unquestionably, Vidya Balan is the showstopper, the lifeline, the soul of BEGUM JAAN. She’s loud, she’s crass… it’s wonderful to watch this powerhouse performer get into the skin of the character and deliver a memorable act yet again.

The remaining cast supports Vidya brilliantly, especially Naseeruddin Shah [attention-grabbing cameo], Chunkey Pandey [wonderful as a coldblooded contract killer], Gauahar Khan [requires guts to do the sequence highlighted above, is first-rate], Pallavi Sharda [a complete revelation, is in terrific form], Vivek Mushran [a performance that’s bound to be noticed, is at his evil best during the closing stages] and Pitobash [nails it with a very fine act].

The seasoned actors — Ashish Vidyarthi, Rajit Kapur and Rajesh Sharma — are dependable. Ila Arun deserved a meatier part. Sumit Nijhawan is alright.

On the whole, BEGUM JAAN has curiosity-value and shock-value, both. Despite minor hiccups, BEGUM JAAN is a compelling watch with a hard hitting narrative and bravura performances as its USPs. The moderate costing of the film should also ensure smooth sailing for its investors.

Source: bollywoodhungama.com